
- #Cinema grade basic install
- #Cinema grade basic pro
- #Cinema grade basic software
- #Cinema grade basic license
His customized LUTs help him work fast, but he also keeps all the LUTs on different adjustment layers in the timeline to simplify workflow. Then he adds a color grade LUT and lastly he will do a final color correction and match of the footage. First, he converts his footage to a natural contrast and saturation.
#Cinema grade basic software
When it comes to color-correcting, having files that were shot in S-Log makes it easier to “fix it in post.” 3-Step Color GradingĪs he notes in the video below, Haapoja likes to think of every color correct job in three steps he’s developed after years of color grading. Cinema Grade is a modern color grading software built from the ground up that runs as a plugin inside of Premiere Pro, DaVinci. If you mess up an exposure while filming in S-Log, it’s a lot more likely you can still make the footage usable once you are in the edit room. It saves more data when you are filming and gives you more info in the highlights and shadows, he explains. It is a powerful color grading tool for Windows users who want to take their video editing to the next level. Why S-Log?Īccording to Haapoja, shooting in an S-Log format gives you a lot more wiggle room in post when you’re ready to color correct your footage. And for a seasoned professional who needs an efficient method to making quick Color Corrections for many projects accurately, Cinema Grade is an invaluable plugin.Haapoja’s LUT pack is designed specifically to be used with Sony cameras and footage that has been shot in S-Log 2 or S-Log 3. It will help to improve your confidence in adding color to your project. This simplicity is due to the grouping system, vector scope comparisons, and the ability to make basic adjustments in the “Shot Matching” step itself.įor a prosumer who is either new or unskilled in the process of Color Correction, this plugin is great tool.

However, with the ease of use in the Shot Matching feature of the Cinema Grade, I could see how a significantly complex color correction job could be made simple and organized. And only a few more minutes to get a satisfactory comfort level with the plugin.įor a project that had only 1 location with 2 different cameras, the process of getting a pro-level color grade took significantly less time than on the first pass using DaVinci Resolve.
#Cinema grade basic install
It is a dropdown with only 10 LUTS allotted at a time and no preview.Ĭinema Grade took mere minutes for me to fully install and begin doing pro-level color correction on my music video.

Cinema Grade is not necessarily ideal for detailed correction.This is what can give a cinematic look to. If you do, you will receive a dialogue box stating to access the plugin through your video editing application. A LUT gives a certain look or feel and is often synonymous with color grading as opposed to color correction. Later, it can be launched from the “Effect Controls” window of Adobe Premiere Pro.ĭo not access the interface using your Finder. The plugin is available in the “Effects” window in Premiere after install. You’ll also receive a key to complete the installation. Once you have purchased the Cinema Grade plugin, you are given a download.
#Cinema grade basic license
Each license can be used for 2 activations.
#Cinema grade basic pro
The Pro version also includes training, film add-ons, and a look hacking system. Cinema Grade Pro, the version used in this review of Cinema Grade, includes group shot matching and Xrite chart support. Here is how Cinema Grade is priced for each plan:įrom the checkout page on the website, you can view what features are available with each version.

Note that at you will see that the plugin is also available for Final Cut Pro and DaVinci Resolve. This video was shot on Canon R5 in C-Log2, with 8k proxy reference files. I will be using the Cinema Grade Pro plugin for Adobe Premiere Pro on a MacBook Pro to color grade shots in the music video “Neighborhood” by Caleb McLaughlin.
